In the sixties and seventies, pop was always something of a fluke, never a genre all on its ownsome. The charts were filled with an odd mish mash of easy listening entertainers, novelty sing songs, disco lightweights with Colgate smiles, and sometimes even serious rockers with a killer riff and catchy hook.  

   In the eighties, pop began to get serious. A fulltime career option for aspiring young boys with guitars, synths and a little bit of funk in their skinny, white arses. It was a time when theories were drafted and thesis written by po-faced music journalists trying desperately to construct their own future from the rubble of punk. Suddenly pop got complicated. It was inevitable. Everything changes and nothing ever stays simple.

   I only had half an ear on this new world, and that was on the innovators; Gary Numan, The Human League, Soft Cell, Depeche Mode, none of whom you’ll find here. The rest were opportunists latching onto the surface shit, the glossy videos, the deluxe production, the gender bending and the dressing up. They were the bandwagon jumpers, clones and serial careerists.

   Its not like new pop was the only option either. There were plenty of alternatives that were weirder, druggier, nastier, elusive, life changing and occasionally life threatening. After all, this was the age when every sub-genre became a serious youth cult, from Mod to Oi, New Romantic to Goth, Rocker to Psychobilly. But, an odd thing happened. A lot of kids hitting their teens thought these careerist pop fuckwits were the real deal. They were attractive, sexy, glamorous, ‘talented’ and rich. Infact, these new pop heroes were everything their audience ever wanted to be.

   Of course, on reflection, none of these teeny teens ever had much of a chance. They were living in grim times, when the war mongering Bitch Queen Thatcher was proclaiming ‘There is no such thing as society, only individuals’. The poor mites were doomed to a life of greed and everlasting smugness.         

   And yet, despite it all, I still like these songs. Some, like ABC, Bow Wow Wow, Aztec Camera, Everything But The Girl, Lloyd Cole, aren’t really Secret Pleasures at all. As for Wendy James of Transvision Vamp, I had my best wet dream ever over her which neatly sums up why eighties pop wasn’t all that important. It was all just a bit of a tease when there was so much more important stuff happening.

 

One

 

01 ORCHESTRAL MANOUVRES IN THE DARK / Messages / May 1980

02 VISAGE / Fade To Grey / December 1980

03 SPANDAU BALLET / Musclebound / March 1981

04 ABC / Tears Are Not Enough / October 1981

05 HAIRCUT 100 / Favourite Shirts / October 1981

06 DOLLAR / Mirror Mirror / November 1981

07 TEARS FOR FEARS / Suffer The Children / November 1981

08 ALTERED IMAGES / See Those Eyes / March 1982

09 FLOCK OF SEAGULLS / I Ran / March 1982

10 DURAN DURAN / Hungry Like The Wolf / May 1982

11 BOW WOW WOW / I Want Candy / June 1982

12 SCRITTI POLITTI / Asylums In Jerusalem / August 1982

13 AZTEC CAMERA / Oblivious / February 1983

14 AFTER THE FIRE / Der Kommisar / April 1983

15 THOMPSON TWINS / Hold Me Now / November 1983

16 SWANS WAY / Soul Train / February 1984

17 ICICLE WORKS / Birds Fly (Whisper To A Scream) / March 1984

18 THE BLUEBELLS / I’m Falling / March 1984

19 BLANCMANGE / Don’t Tell Me / April 1984

20 EVERYTHING BUT THE GIRL / Each And Everyone / May 1984

21 LLOYD COLE & THE COMMOTIONS / Forest Fire / August 1984

 

Two

 

01 STEPHEN DUFFY / Kiss Me / March 1985

02 CHINA CRISIS / King In A Catholic Style / June 1985

03 BELOUIS SOME / Imagination / January 1986

04 THE BANGLES / Manic Monday / February 1986

05 FURNITURE / Brilliant Mind / June 1986

06 BLACK / Wonderful Life / September 1986

07 A-HA / Cry Wolf / December 1986

08 WESTWORLD / Sonic Boom Boy / February 1987

09 CURIOSITY KILLED THE CAT / Misfit / June 1987

10 T’PAU / Heart And Soul / July 1987

11 TERENCE TRENT D’ARBY / Dance Little Sister / July 1987

12 VANESSA PARADIS / Joe Le Taxi / February 1988

13 THE ADVENTURES / Broken Land / April 1988

14 VOICE OF THE BEEHIVE / Don’t Call Me Baby / May 1988

15 TRANSVISION VAMP / I Want Your Love / June 1988

16 JANE WIEDLIN / Rush Hour / July 1988

17 DEACON BLUE / Chocolate Girl / July 1988

18 THEN JERICHO / Big Area / January 1989

19 BETTY BOO / Doin’ The Do / April 1989

20 MARTIKA / Toy Soldiers / July 1989